Shan, Mandalay & Myanmar
Burmese Buddha Statues
Burmese Buddha Statues from MyanmarBuddhist sculpture from Myanmar developed through a long sequence of regional and court traditions. This collection includes works associated with Burmese, Shan...
Pieces in Burmese Buddha Statues
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Burmese Nat figure Thagyamin – Wooden temple statue, 19th century
€390,00 -
Royal Burmese Buddha – Masterpiece of Thayo & Mirror Mosaic from Mandalay (c. 1900)
€8.790,00 -
Monumental Antique Standing Buddha from Myanmar – Temple Sculpture in Teak Wood (166 cm)
€3.875,00 -
Antique Burmese Mandalay Buddha Statue in Thit-si Lacquer and Gold Leaf – Konbaung Period, c. 1870–1895 (63.5 cm)
€1.490,00 -
Antique Teak Medicine Arhat Statue Burma 18th Century 151.5cm
€6.950,00 -
Mandalay Style Standing Buddha with Craquelure Finish (87.5 cm) from 1969
€295,00 -
19th-Century Burmese Mandalay Buddha – Solid Teak (50.5 cm)
€1.690,00 -
Antique Burmese Teak Mandalay Buddha - 19th Century - 27 cm (Premium Quality)
€975,00 -
Museum-Quality Pair of Gilded Burmese Monks Sariputta and Moggallana
€24.980,00 -
Monumental Burmese Temple Pediment Ensemble (5-piece, approx. 200 cm high) – Mandalay Style (circa 1900)
€3.250,00 -
Antique Burmese Temple Disciple - 19th Century Konbaung Dynasty - Hand-carved Teak Wood
€485,00
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Burmese Buddha Statues
Burmese Buddha Statues from Myanmar
Buddhist sculpture from Myanmar developed through a long sequence of regional and court traditions. This collection includes works associated with Burmese, Shan and Mandalay styles, in carved wood, bronze, lacquer and gilded surfaces. The familiar serenity of the face can hide substantial differences in date, workshop practice and regional identity.
Shan, Mandalay and earlier traditions
Shan sculpture often favours elongated proportions and a distinctive elegance, while nineteenth-century Mandalay imagery is known for refined facial modelling, broad ornamented robes and extensive gilding in both wood and metal. Earlier Burmese traditions can differ markedly in crown, robe, pedestal and body proportions. These labels are therefore used as attribution frameworks rather than as automatic dates.
Wood, lacquer and bronze
Myanmar has an especially important tradition of carved wooden Buddha images finished with thit-si lacquer, gilding, glass decoration or raised ornament. Wear through these layers can reveal the sequence of an object’s surface history. Old insect channels, shrinkage cracks, repairs and replacement bases are common and are described individually.
Bronze examples are assessed through casting structure, core material where visible, patina, gilding residues and iconography. Bhumisparsha is widespread, but hand gesture alone never establishes a Burmese origin.
Attribution and condition
We separate religious identity, regional style and date. A Buddha can be unmistakably Burmese in visual language while still requiring caution between a nineteenth-century original, an early twentieth-century continuation and a later revival. Material evidence and surface history are used alongside style to narrow that distinction.
Compare these works with Thai Buddha Statues, or explore the material categories Wooden Buddha Statues and Bronze Buddha Statues.
A monumental carved work
For the related tradition of Burmese Buddhist disciples, view our 18th-century teak Medicine Arhat, 151.5 cm. Its object page presents the individual research, condition and photographs.