Shan, Mandalay & Myanmar
Burmese Buddha Statues
Burmese Buddha Statues from MyanmarBuddhist sculpture from Myanmar developed through a long sequence of regional and court traditions. This collection includes works associated with Burmese, Shan...
Pieces in Burmese Buddha Statues
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Monumental Antique Burmese Mandalay Buddha Head – Gilt Wood with Glass Mosaic – c. 1890–1920 – 90.5 cm
€1.995,00 -
Monumental Antique Burmese Mandalay Buddha – Gilt Wood with Glass Mosaic – c. 1890–1920 – 114.5 cm
€2.350,00 -
Monumental Burmese Mandalay Buddha – Gilt Wood – First Half 20th Century – 85 cm
€2.985,00 - Research & authenticityEach object is accompanied by documentation.Specified period, material, and available provenance, together with our guarantee of authenticity and an official invoice.This is how we verify authenticity
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Antique Burmese Shan Buddha in Gilt Wood with Glass Inlay – 40 cm
€1.395,00 -
Antique Burmese Jambupati Buddha in Gilt Wood with Glass Inlay – 52 cm
€1.985,00 -
Antique Burmese Shan Buddha in Gilt Wood with Glass Inlay – 57 cm
€2.985,00 -
Monumental Antique Mandalay Buddha – Gilt Wood with Glass Mosaic – Myanmar ca. 1890–1920 – 78.5 cm
€3.645,00 -
Antique Burmese Mandalay Wood Buddha – Bhumisparsha – ca. 1900–1930
€790,00 -
Pair of Antique Burmese Papier-Mâché Buddha Figures – Konbaung – ca. 1750–1825
€5.950,00 -
Monumental Burmese Shakyamuni on Elephant Throne – 19th Century, 118 cm – Lot 755
€6.900,00 -
Monumental Burmese Mandalay Buddha in Teak and Lacquer – 19th Century, 162.5 cm – SKU 753
€2.975,00
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Burmese Buddha Statues
Burmese Buddha Statues from Myanmar
Buddhist sculpture from Myanmar developed through a long sequence of regional and court traditions. This collection includes works associated with Burmese, Shan and Mandalay styles, in carved wood, bronze, lacquer and gilded surfaces. The familiar serenity of the face can hide substantial differences in date, workshop practice and regional identity.
Shan, Mandalay and earlier traditions
Shan sculpture often favours elongated proportions and a distinctive elegance, while nineteenth-century Mandalay imagery is known for refined facial modelling, broad ornamented robes and extensive gilding in both wood and metal. Earlier Burmese traditions can differ markedly in crown, robe, pedestal and body proportions. These labels are therefore used as attribution frameworks rather than as automatic dates.
Wood, lacquer and bronze
Myanmar has an especially important tradition of carved wooden Buddha images finished with thit-si lacquer, gilding, glass decoration or raised ornament. Wear through these layers can reveal the sequence of an object’s surface history. Old insect channels, shrinkage cracks, repairs and replacement bases are common and are described individually.
Bronze examples are assessed through casting structure, core material where visible, patina, gilding residues and iconography. Bhumisparsha is widespread, but hand gesture alone never establishes a Burmese origin.
Attribution and condition
We separate religious identity, regional style and date. A Buddha can be unmistakably Burmese in visual language while still requiring caution between a nineteenth-century original, an early twentieth-century continuation and a later revival. Material evidence and surface history are used alongside style to narrow that distinction.
Compare these works with Thai Buddha Statues, or explore the material categories Wooden Buddha Statues and Bronze Buddha Statues.
A monumental carved work
For the related tradition of Burmese Buddhist disciples, view our 18th-century teak Medicine Arhat, 151.5 cm. Its object page presents the individual research, condition and photographs.