Earth-Touching Gesture
Bhumisparsha Mudra Buddha Statues
Bhumisparsha Mudra: The Earth-Touching BuddhaThe Bhumisparsha mudra is one of the defining image types of Shakyamuni Buddha. The right hand reaches downward over the knee to...
Pieces in Bhumisparsha Mudra Buddha Statues
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Antique Burmese Shan Buddha in Gilt Wood with Glass Inlay – 40 cm
€1.395,00 -
Antique Burmese Jambupati Buddha in Gilt Wood with Glass Inlay – 52 cm
€1.985,00 -
Antique Burmese Shan Buddha in Gilt Wood with Glass Inlay – 57 cm
€2.985,00 - Research & authenticityEach object is accompanied by documentation.Specified period, material, and available provenance, together with our guarantee of authenticity and an official invoice.This is how we verify authenticity
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Monumental Antique Mandalay Buddha – Gilt Wood with Glass Mosaic – Myanmar ca. 1890–1920 – 78.5 cm
€3.645,00 -
Monumental Antique Thai Crowned Buddha – Rattanakosin, 19th Century – 81 cm
€5.950,00 -
Antique Burmese Mandalay Wood Buddha – Bhumisparsha – ca. 1900–1930
€790,00 -
Antique Thai Buddha in Sukhothai Style – Ayutthaya, 17th–18th C.
€790,00 -
Antique Thai Rattanakosin Buddha in Maravijaya – 19th Century Gilt Bronze
€1.795,00 -
Monumental Burmese Shakyamuni on Elephant Throne – 19th Century, 118 cm – Lot 755
€6.900,00 -
Monumental Thai Naga-Protected Buddha Muchalinda – 122 cm Bronze – c. 13th–14th Century
€295.000,00 -
Gilt Bronze Ayutthaya Buddha – Thailand, 17th–Early 18th Century
€2.450,00
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Bhumisparsha Mudra Buddha Statues
Bhumisparsha Mudra: The Earth-Touching Buddha
The Bhumisparsha mudra is one of the defining image types of Shakyamuni Buddha. The right hand reaches downward over the knee to touch or point toward the earth, while the left hand is commonly held in meditation in the lap. The gesture refers to the moment of awakening when the Buddha calls the earth to witness his right to enlightenment.
A gesture shared across regions
Bhumisparsha appears extensively in Indian, Burmese, Thai, Khmer, Lao, Himalayan and other Buddhist traditions. The mudra identifies the narrative and iconographic type; it does not identify a country or century by itself.
A Burmese bronze, Thai Sukhothai-style image and Tibetan gilt-copper Buddha can all use the same earth-touching gesture while differing completely in robe, pedestal, facial modelling and manufacture. Regional attribution therefore depends on the sculpture as a whole.
What to compare
Look at the proportions of the hand and fingers, the position of the wrist, the treatment of the robe, ushnisha and hair, lotus or plain pedestal, casting or carving method and surviving surface. Later workshops often continued established image types, so familiar iconography should never be confused with an early date.
For the broader posture category, browse Seated Buddha Statues, or compare regional examples in Thailand and Myanmar.